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    <title>Form :: Kings and Queens of Serendip</title>
    <link>https://serendip.peckels.com/zats/40research/05form/</link>
    <description>Form</description>
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    <language>en-us</language>
    <lastBuildDate>Fri, 19 Nov 2021 09:20:29 +0100</lastBuildDate>
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      <title>Blues Turnaround</title>
      <link>https://serendip.peckels.com/zats/40research/05form/bluesturnaround/</link>
      <pubDate>Fri, 19 Nov 2021 09:20:29 +0100</pubDate>
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      <description>Typical Turnarounds on Rhythm Changes or Blues Form Here are four patterns (a, b, c, d) used in bars 9–12 of a typical F jazz blues:&#xA;Your browser does not support the audio element. Randomized Turnaround Options The following playback will select one of the four options by chance. The 8-bar piano part is underlaid with a 6-bar drum groove grouped in sections of 2 bars each, with loops randomly picked from 4 options. This creates additional layers of variation.</description>
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    <item>
      <title>Rhythm Changes</title>
      <link>https://serendip.peckels.com/zats/40research/05form/rchanges/</link>
      <pubDate>Fri, 19 Nov 2021 09:20:29 +0100</pubDate>
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      <description>Chord Change Variations Over a Rhythm Changes Form in the B Section Many jazz tunes use the rhythm changes harmonic progression as a base template. The B section is a playground for different1 reharmonizations.&#xA;Here is an audio example of the three options, preceded by four bars over Bb6:</description>
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